Alchemical Note ورقة

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اقرأ: Alchemical Note

Silas's Notes

Straw and clay were simple enough to fashion, but replacing sinew and bone proved much more troublesome. Thus far, my greatest success hath been the reanimation of a young cutpurse, hanged but a day prior, his flesh still gripped by rigor mortis. Into his heart I drew the anima of a fluttering bird, and to quicken his limbs, I sacrificed a small hare. To my astonishment, he walked – albeit stiffly – for three days, ere collapsing in a fit of spasms. Still, a far better outcome than with the old skeleton I exhumed a week before. From this, I glean two conclusions: First, the fresher the corpse, the more likely that my inscriptions shall take effect. Second, it is strangely easier to animate the inanimate, such as a straw doll, than to wrest motion from a human cadaver. Perhaps the body yet clings to the soul that once dwelt within, and thus rejects a foreign spirit? This leads me to ponder further: might the most potent form of resurrection lie in binding a soul to its own flesh at the very moment of death? A curious thought… though what would be the purpose of slaying a man, only to revive him but a breath later? No matter. I shall next attempt to work on some animals – and thereafter, perhaps, a beggar none would mourn. Lastly, I do believe I’ve amassed sufficient knowledge to begin composing a proper treatise, rather than these scattered notes which I always misplace.

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